



suburban gothic musings on art, religion and society by the Sublime Cowgirl - a gen X gal in Brisbania


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Electroconvulsive therapy - sizzling your brain to induce a clonic seizure (to the point of losing consciousness and bringing on convulsions for at least 15 seconds) - is back in vogue. Recent studies show it can be remarkably effective in treating depression, mania and psychosis for sufferers resistant to the typical suite of pharma concoctions.
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Batter my heart, three-personed God; for you
as yet but knock, breathe, shine, and seek to mend.
That I may rise and stand, o'erthrow me and bend
your force to break, blow, burn and make me new.
I, like an usurped town, to another due,
labor to admit you, but, oh, to no end;
reason, your viceroy in me, me should defend,
but is captived and proves weak or untrue.
Yet dearly I love you and would be loved fain,
but am betrothed unto your enemy:
divorce me, untie or break that knot again,
take me to you, imprison me, for I,
except you enthrall me, never shall be free,
nor ever chaste, except you ravish me.
If you ever do make it to Laos, you MUST get to Luang Prabang for Laos New Year in APril. Just trust me. (For $2.50 per person Seng Phet guesthouse offers comfortable beds, and fun staff - that means you, Phat!). Then jump in a truck/bus and head straight up to Muong Kaou, (spoil yourself at the the Riverside Bungalows for $30 bucks, or Sunshine guesthouse for $3 - the view is the same), then hop in a boat upstream to Muong Nuoi, a village devoid of cars and motorbikes, and running electricity only two hours per day. (We highly recommend staying with the adorable family who run Niksa's Bungalow.)
Ban Na village is an hours walk from here through tropical forest and hazy rice fields. The cave along the way is surrounded by crystal clear water you wont be able to resist, unless you happen to be a monk and are scared off by the awesomeness of approaching women. (The whole monk\female aversion is selective at best - i've been leered, giggled and waved at by groups of young novices just as i would at any western construction site..the difference, it seems, is the presence of a Senior Monk to keep a lid on things.)
Sadly we had to leave Laos after three weeks, and headed over to Chiang Mai, and up to Maddie's beloved Chiang Dao Lodge at Ban Ba Bong near Chiang Dao. ITs a bit of a anti-climax heading back into Thailand with its noise, smelly streets and aggressive touts, but at least we were spared that up at Tim and Steve's Lodge. Unfortunatley we havent been spared a nasty bout of gastro that has hit us all over the past few days since we have been back in Bangkok, and are desparately trying to shake it before our flight to London tonight.
I guess that's that all i have time to write before my internet access expires, and we still have to pack to make the plane in time. Apologies for lack of personal emails, but am thinking of you all heaps and looking forward to catching up with our friends in Europe.
( And for the record, phousi massage is fabulous).








In true chameleon form, Bowie is also starring in a new movie as Nikola Tesla - where he dons a moustache that oddly harks back more to Gervais in THe Office than the sublimely divine creature he actually is.
There has been some interesting commentary on the issue of the sexualisation and commodification of women and girls in the wake of the Australia Institute Report controversially entitled Corporate Paedophilia. Excellent discussion can be found Hoyden about Town, Larvatus Prodeo and the Bartlett Diaries.
I recently spent a couple of nights at Addington Prison in Christchurch. While some of you may not be surprised at this fact, (even having a brief glimmer of schadenfreude), i should really mention that i had to pay to get in, as it had just been converted into a boutique backpackers...so i guess i'm still a free woman. 

Or at least hold off for a bit. The ubiquitous Mr Claus, quite possibly the only celebrity more over-exposed than Paris Hilton atm, has already begun appearing at my local Coles supermarket. Holy baby Jesus, ...its barely September. Yesterday my partner and I couldn't resist the temptation to turn the rows of chocolate grinning santas inward so their little backs faced outwards; much to the delight of our 8 year old (and shame of our 10 y.o. who found our dodgy spot of culture jamming just 'like sooo embarressing').


















I am currently in Cairns. Though its winter, the sunlight is so all pervasive and warm its easy to assume everything is all sunshine and light. Scratch a little deeper though, and Cairns is one of those places where most people have a 'past' or an intriguing story at very least. Makes things more interesting than would otherwise appear.... people used to change and transition, running from, running to, seeking and hoping for new futures. Our 7 years here were some of the most turbulent but intoxicating years of our lives. I miss it so many ways but it was the right time to go in 2001. 







Notes from 'Burn' A series of work exhibited 2002 Soapbax Gallery Brisbane
The central image of the series is the poignant sculptural image 'Corpus Christi', a winged Christ crucified upon an electric stove coil, exhibited individually and also as a component of the larger 'element' installation.
Exuding an almost archetypal quality the piece simultaneously references traditional spiritual iconography and 1950's suburban kitsch; at once both reverent and ironic. In the re-configuration of the familiar domestic object as an instrument of torture this work alludes to the sinister undercurrents of suburban existence.
The hand made wings of 'corpus christi' are made from the collected feathers of battery hens; nature imprisoned to feed human demand. Intriguingly the representation of Winged Christ strongly alludes to a despondent Icarus, of Greek legend. The plastic sheen on the synthetic christ figure exudes a wax like quality, reinforcing the mythic association. This intersection of icons has interesting implications. Icarus' ascension was sabotaged by the pursuit of his will in direct disobedience to his father's wisdom, whilst the crucifixion of Christ is seen as the culmination of pursuing the will of 'the father' at the expense of the self, predicating his 'perfect' ascension. Has Icarus been been grounded by wings created from the subordination of nature? Aesthetically the physical interplay between the plastic, metal and organic media mirrors the conceptual balance of the piece.
flesh
In flesh jagged pieces of paperbark branded with text line the wall like nameless patients in a hospital ward, encompassing the viewer with words such as weep, crust, maim, scrape, welt, scab, graft, sear and bleed.
Part way through the process of creating this work (flesh) my father sustained serious full thickness burns to much of his body during an epileptic seizure. This macabre, synchronistic experience of watching the weeping, blistering, dying skin of my father profoundly affected my vision. The inherent characteristics of paperbark, with its subtle variations in colour and texture has an uncanny parallel to the layers of human skin and it was this accident that saw my work evolve from one of pure metaphor to one infused with concern for texture and surface, form and tangibility. Rather than pure symbolism, my concept deepened as I became absorbed with the tangible physicality of wounded flesh and the scars that remain.
torso A line of brown paper bags each bearing the charred form of an electric stove element is a potent symbolic image directly referencing the child held down upon the hotplate. In this work the black charcoal marks are not additions, but have eaten into the original surface, leaving the blackened paper weakened and maimed.
The multiplicity of these simple images adds an almost ritual-like element that was especially apparent in the process of creating the work.The use of paper bags in my work functions as a metaphor for the torso and connotes the body as a vessel; the dialectic of concealment/exposure; outwardly uniform, but with a hidden interior. Occasionally some of the interiors contain shreds of case notes gleaned from my professional work while others bear small candles, which flicker inside.
The fragility and volatility of the media is deliberate, the real possibility of the works being consumed by the fire contained, a deliberate tension
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